
I loved her–devotedly, singularly, unflinchingly. She humored me. She loved another. She deceived me with her kindness, made me believe I was worth something to her. But her heart was his, and she married him.
Devastation drove my hands to work. I built a boat, a sea-worthy vessel, with my own strength and skill. Gingerly I crafted her, patiently, cherishing precision and beauty. I thought of her with every stroke of the paintbrush, and I named my vessel for her: Ivana.
I took to the open sea. I was lonely out there, but no lonelier than I had been back on land. I lost track of the days. The wind started to talk to me. I talked to myself. I forgot things: simple words, commonly known facts, faces.
It is not good for man to be alone.
The next time I saw land, I sailed until I touched it. I docked Ivana on the coast of Chile, and I started over. I rented a small apartment on a busy street, took a job at the market, and wrote about my time at sea.
A girl bought a mango from me, just one. Not one for her husband, not one for her lover, just one for herself. She was dazzling—golden, inky, mechanically perfect. I asked her name, and watched her lips wrap around the word “Isabella”. She looked me in the eye, and I loved her.
The next day she returned, and the day after that, and day after day. She never left my thoughts. My stories centered around her. I forgot Ivana and my time at sea. All I could think of was Isabella, beauty in its truest form.
We walked to the shore, void of any others. I held her hand, tiny and smooth, in mine. Touching her thrilled me, and I never wanted to stop. I picked a flower from a tree. I tucked it behind her ear, brushed her cheek with my thumb, cradled her head in my hand, pulled it toward me, whispered “Bella” in her ear. I kissed her cheek, and then her perfect lips. We took a few steps and found a place to rest—an old abandoned boat, rusted and weather-worn. I held her there, close to me, and kissed her again and again—her cheeks, her lips, her ears, her neck, her hands, her fingers, her hips, her thighs—in the vessel I named Ivana.